Katiranci, Meltem; Tümer Çelik, Yasemin

The research entitled ‘Islamic philosophy in arts and an example of its application' looks into vahdet-i vücut, which is one of the topics of mysticism and sabit öz. It also discusses how these topics are reflected in arts.“vahdeti vücut” and “ayan-i sabite”. which are included in Islamic philosophy are found useful because of their relation to arts and the philosophical content they have. When the broad perspective that philosophy offers to human is considered, one can understand that philosophy has a big role in İslam, which takes a deep philosophical approach.In the philosophy and art of İslam, spiritual feeling and orientation to the soul are prominent. In the fıeld of art, spiritual feelings are utilized. The researcher thınks that because these topics are related to our culture and important in Islamic philosophy, student artists should know and leam about these as a part of their curriculum. Research:achievement test from quantiative methotds, pre-final Picture evaluation and qualitative. The metod is completed with the evaluation of the pre-final text. Success in the finding section test, differences between age, gender, class and universities were evaluated. Pre- end creativity and philosophical explanations of students with pictures and pre-final text. It was evaluated.

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Uzun, Imran

This study, which examines the transcendental thought in the art of photography, consists of essays utilizing the phe-nomenological manifestations of reality in the production of abstract concepts and the scientific endeavors that decipher these essays with a semiotic approach. In the post-modern era, when the immanence of the art of photography to matter is discussed, post-truth era artists, who speak of the assumption that truth loses objective features, are eager to examine the proposition that abstract dominates impressions as a form of material transcendence. This study aims to contribute to the literature on abstraction experiments which compiles the concept of abstraction formed by impressionist artistic point of view in a long term practice. The aim of the study is to explain abstract thought through the concrete outputs of a new photographic form of vision rising in cooperation with the classical naturalist attitude and conceptual attitude and to const-ruct the meanings of the indicators with an abstract intervention and creative action. In this context, 48 photographs from Imran Uzun photographic anthology were selected as essays and 16 of them were analyzed according to Roland Barthes’ semiotic approach for the purposes of the study. This approach, which decipheres the connotations of photographic indica-tors abstracted on surface, ice, water and light themes, tries to understand the instrumental relationship established with the conceptual and transcendental reality behind the visible from the position of the photograph. The study is important in that it contributes to the thoughts written, drawn, sung, and recorded in many other ways on photography and tells the trans-cendence of abstract thought through discoveries in the immanence of the concrete. The results of the study show that the experimental relationships established with the truth remain uninspired unless they produce a specific conceptual inference, and that the notion of meaning will reach the ideal form with a phenomenological but not objective object.

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